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counterpoint
J. S. Bach: Fantasia in G minor, BWV 917, "Fantasia duobus subjectis"
intasei
2:43 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88%
Bass 27 2 9 8 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88%
Bass 27 2 9 8 94%
 
Fugue in G minor
Thomas-S
1:47 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 7 5 97%
Bass 12 0 3 5 90%
Bass 21 0 5 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 7 5 97%
Bass 12 0 3 5 90%
Bass 21 0 5 5 95%
 
J. S. Bach: Arioso - Betrachte, meine Seele (aus Johannespassion, BWV 245)
BSG
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89%
Bass 25 0 9 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89%
Bass 25 0 9 4 100%
Cto Bass 16 0 5 1 100%
Vn
1		 Treble 18 0 7 1 100%
Vn
2		 Treble 19 0 6 1 100%
Bass Bass 16 0 5 4 83%
 
Vigo Kovačić - Fugue in c minor
Vigo Kovačić
1:49 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavir Treble 28 0 9 8 93%
Bass 35 5 14 8 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavir Treble 28 0 9 8 93%
Bass 35 5 14 8 90%
 
Op. 27 - Double Canon
Bradley de Lucia
2:47 Est. Play
Time
95 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
Bass 15 0 2 5 97%
18 0 3 5 77%
 
J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)
BSG
3:15 Est. Play
Time
34 Measures
1,126Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
Violin
2		 Treble 18 0 5 6 97%
Contrabass Bass 18 0 5 5 94%
Vcl/Continuo Bass 18 0 5 5 94%
Viola 17 0 5 6 94%
Harpsichord Treble 21 18 7 12 44%
Bass 18 0 5 5 92%
 
J.D. Zelenka: Lamentatio I (complete, from ZWV 53)
BSG
16:22 Est. Play
Time
150 Measures
1,706Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
Violin
1		 Treble 28 0 11 11 75%
Violin
2		 Treble 27 0 11 9 75%
Bass Bass 16 0 5 9 74%
Viola 23 0 7 9 59%
Oboe
1		 Treble 19 0 8 9 31%
Oboe
2		 Treble 19 0 7 8 29%
 
T.L. de Victoria: Aestimatus sum
BSG
1:53 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
Bass
2		 Bass 10 0 2 6 76%
Tenor
1		 Treble 10 0 1 6 64%
 
J. S. Bach: Contrapunctus XIV (extant torso, from BWV 1080)
BSG
8:40 Est. Play
Time
239 Measures
2,289Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 25 0 9 7 90%
21 0 7 7 82%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 25 0 9 7 90%
21 0 7 7 82%
22 0 8 7 84%
27 0 11 7 92%
Reed
Contrabass		 Bass 22 0 7 7 62%
 
Invention in C
Fabio Lee
1:24 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 1 6 6 100%
Bass 22 0 7 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 1 6 6 100%
Bass 22 0 7 5 96%